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Odd Jobs Gin has taken on a lot of odd work in the past, and when you’re a Jack of All Trades agency based in a feudal Japan that’s been conquered and colonized by aliens, the term “Odd Jobs” means REALLY ODD jobs. But when some more than slightly suspicious secrets from the shadows of Gintoki Sakata’s somewhat shady former samurai past and a new pair of odd jobs collide, the action is bound to get so wild and demented that only a feature film will do it justice!
What would have happened if the Shiroyasha never existed? Edo is thrown to chaos by a mysterious cause. Sakata Gintoki, now lives in a world where the future has changed, without him. What has happened to the Yorozuya? Gintoki, who is now a ghost of the past, must once again carry the burden in order to save his friends. He must finish the biggest job ever, which may be the final job of Yorozuya.
Second live action movie based on the series by Hideaki Sorachi.
The story revolves around a bunch of college students living in a boy’s hostel. The story unfolds over a period of four days in the hostel. Problems begin when a young woman enters the hostel.
Tamara Hayes an entrepreneur dealing with the implosion of her startup and her relationship, visits her family’s apple orchard in hopes of taking a break from life. She begins to fall for her childhood best friend and now the farm manager, Will Lewis, and together they go to great lengths to keep the orchard alive. Will’s gentle encouragement reminds Tamara that home is worth fighting for – and when she reveals her secret apple pie recipe she is inspired to make one more go at a “million dollar idea”.
A group of childhood friends, now in their thirties, reunite at Camp Tamakwa. Only a few of the original campers show up, but they still have a good time reminiscing. The people share experiences and grow while at the camp. They are dismayed to discover that the camp’s owner, Unca Lou, is going to close the camp down.
Feeling abandoned by her therapist who’s gone on an extended vacation, beautiful Lindsay (Estella Warren) gets help with her fear of commitment from an ad hoc support group formed by other New Yorkers also left high and dry by their shrinks. But when her pals dare her to date fellow group member A.J. (Justin Kirk), Lindsay begins to wonder if she’s finally found her match. Tamara Tunie directs this charming romantic comedy.
15 years ago, Daiichi Yachiyo Maru, a cargo ship, was crashed into a large iceberg in northern the Pacific Ocean, and sank. The captain and a crew were died. Now, in Nishitama, a ship designer of Yatsushiro Shipbuilder, which belonged to Yatsushiro Financial Combine, was suffered from a sudden hart attack while he was driving, and died in a traffic accident. Six months has passed since then. Conan, Ran, and Kogoro are enjoying their trip in the Aphrodite. The Aphrodite is a luxury liner, and it is sailing for the Pacific Ocean as its maiden voyage. However, there is a suspicious person, and finally a murder occurs. It is the beginning of a horrible plot occurred in the ocean where there is no place to escape from.
A revolution is taking place in the art world and it isn’t happening in Paris, Berlin or Hong Kong—but in Grand Rapids, Michigan. ArtPrize is the most highly attended art show in the world, and it awards cash prizes larger than all other competitions combined. International critics and general crowds pack bars, galleries and abandoned buildings all over town, taking in over 1,500 works from cerebral conceptualists and weekend hobbyists. An acclaimed jury awards a winner $200,000 and the ballot-carrying public does the same. Nimble cameras follow four artists, each vying not only for critical recognition but for every public vote they can drum up. Part classy game show, part engaging art exploration, More Art Upstairs captures the debates ArtPrize has intentionally (or inadvertently?) triggered: Can culture be democratized? Do artists need or want to connect with audiences? And is the canonical art establishment on its way out? (Myrocia Watamaniuk)
A young girl is sold into the red-light district Yoshiwara and is put under the care of the oiran (lead prostitute) of the Tamakiku house. The girl is rebellious, but the more experienced people in the household begin to think that she will be one day a great oiran, since an oiran needs not only beauty and talent, but she should also have the tenacity to maintain the position.
Sarapee and Pun inherit a beach mansion from Luang Narubal, the husband and benefactor they betrayed and left to die in sorrow. The two now decide to move in and turn the mansion into a hotel in order to make some money. Twenty five years pass. Sarapee is has already died. Her two children from her marriage to Pun, Parinya and Patama, are now grown-ups and return from abroad to look after the hotel. After renovating it, the mystery begins. Deaths occur over and over again, and sometimes Parinya and Pattama witness them. It isn’t long before the only two people left to uncover the mystery and fight to stay alive. Who is this mysterious murderer?
This road picture follows a dope fiend named Rick, who believes his goal in life is to track down Ginger, a famous porn star who is currently staying in her Beverly Hills hideaway. Rick is obsessed with Ginger, watches her movies obsessively, and deals drugs on the side, all to the chagrin of his lover Tamara. He decides to seek out Ginger via the road, and along the way picks up Jules, a neurotic, virginal type. Written by Jason Clark
Azusa (Anna Ishii) and Narumi (Fuka Koshiba) are 2nd grade high school students. They lack confidence and also any kind of ambitions. Hazuki (Karin Ono), Tamaki (Mika Akizuki) and Mika (Miku Uehara) are also unnoticed students at the same high school. These five girls form a dance club and begin to dance to get credits. They soon learn the joys of dancing and also learn to express themselves.
